Thursday, July 8, 2010

Switching

What is a switch?

According to the familiar book, Screw the roses, send me the thorns, a switch “plays both the dominant and submissive sides of the SM game (13”. The authors continue to elaborate that “Seemingly, this guy has the best of both worlds. Often he is paired with another switch (13)”. Unlike a dom or sub a switch is not fixed in a single role. They have the capacity to play either role dependant on the situation and other factors, like their mood.

What does switch mean to you?

The definition of a switch is relatively straight forward but understanding a switch is a different matter because many people don’t understand or believe that one person can play both roles. I find that many people are dominant or submissive in different moods or relationships and that BDSM is not inherently different. Some people are always dominant or submissive in relationships but there is an in-between group. While a dom would not enjoy the aspects of submission a switch may enjoy aspects of either dominating or submitting. In shirt a switch is someone involved in BDSM who does not wholly confront to either the role of dom or sub.

Why are you a switch?

To me being a switch means that I get to experience more because I am not confined by the contrasting roles. I am lucky enough to want to experience both sides. Anyone could experience both roles but no dom or sub would enjoy it. Different aspects of each role attract me and I react differently with regard to different people and situations. Some people I want to beat while others I want to throw up against a wall. I’m like a contextual switch – in some situations I prefer to dom and in others I prefer to sub based on how I feel in reaction to the surrounding and people.

In the realm of domination I enjoy the surrender and desire of others. I enjoy being in control of their desire which puts me in a position where I can manipulate their desire to heighten it. I love the openness and vulnerability of someone submitting to you.

I also like to be in control – I hate situations that I cannot predict because they make me very nervous. A sub is in control in that they can always say no, but subs control is usually in the negative. For example don’t do this, don’t do that. And while the may make requests for a certain thing it is the dom who choreographs the session. Only he knows what is coming next. This isn’t to say that what a dom think he will do always happens because there are always variable like the sub breaking down.

While I enjoy playing dominant it is something I am less than comfortable doing at the moment because as I just explained the dom is in charge and I simply lack the skill set. Knowing I lack the skill set of a dominant at this time it makes it nearly impossible for me to relax, stop being self-conscious and enact the desires that exist within me.

I also enjoy the role of submissive but for a completely different set of reasons. I enjoy being dominated but it is difficult for me to explain why I enjoy it. I have always had significant trust issues and while they have improved they are still present. Submission requires a great deal of trust and I think a part of me enjoys the challenge of pushing myself to trust someone. Yet while submission can make you vulnerable it also is protective. It can give you a person to rely on and releases some of your own responsibility. You don’t use the same set of decision making as a submissive because you are following the dominant’s path. I’ve rarely ever had someone that I could turn to rely on so I think this is part of what appeals to me. It almost provides a safety net and while I may not need or use it is comforting to know that it is there.

I can also enjoy being at the mercy of others, letting them decide how kind they wish to be. For example, in one relationship I now that my opinion is valued and that my sadistic partner will be softer in certain moods. And while I enjoy the softer moods I also enjoy him in his more forceful and physically damaging moods. I take pleasure in being marked as his because it shows to me that he wants me to be his. Yet while he dominates me sexually he doesn’t try to change the person that I am and respects me for myself. This has helped to show me some of the nuances of power exchange because it highlights that while the dom is in control there are still things that he cannot control like the type of person that you are inside.

Depending on my mood and the context of the situation I may be either dominant or submissive, this makes me a switch.

What is switches’ role in the community?

In the BDSM community the concept of switch is controversial. There are many people who don’t believe in switches and who anyone who says they are a switch as inexperienced and naïve. I have been told multiple times that I’m not a switch and once I play for a while I’ll pick a side. This creates an interesting lack of place for switches in the community. In fact the BDSM books I’ve seen barely discuss switches and instead provide only a basic definition for the term. Yet switches are more versatile and have a unique perspective because of their play on both sides. While doms and subs can play only one role a switch is more versatile. This allows them to open to play with a greater number of people but it also places more responsibility on switches because they must know both techniques of being dominant and submissive.

This gives switches a different perspective than other players because their view is not limited by their role which should allow them to provide unique insight on the scene and various practices. Yet because of the shunning of switches and the disbelief in them I think this opportunity has become limited because so many view anyone who is a switch as inexperienced.

Thursday, June 3, 2010

Masochism

A Brief History:
The word masochism was coined by Dr. Richard von Krafft-Ebing in 1890. It was named after a patient of his who named the term after a patient of his named Leopold von Sacher-Masoch. His patient was a “masochist” and had written a novel entitled “Venus in Furs” (Noyes, 5). The novel depicted “the masochistic relationship between Serverin von Kusiemski dreamer and dillatante, and Wanda von Dunajew, a beautiful, free-spirited widow, to whom he becomes a slave” (Schlemowitz). The novel was based around events in Sacher-Masoch’s life.
Later Freud studied masochism, he made the important point about it that “Whenever our culture has imagined the masochist turning his cheek to receive a blow, I has always been absolutely essential that the blow is dealt by the right kind of person in the right kind of setting” (Noyes, 140). Freud was obviously an influential member of the field of psychology and his views on masochism developed it as a topic for study. Previously little academic work had been done on the subject.
Between 1924 and 1938 the theory of Masochism gained prominence. This was likely due to the influence of Freud on younger minds who he had trained in the field, such as Helene Deutsch (1884 – 1982), Karen Horney (1885-1952), Theodor Reik(1888 – 1969) and Wilhelm Reich(1897-1957)(Noyes, 166). However Freud’s disciples viewed masochism in a different light. “masochism was more real than it was for Freud. This meant that they approached it in the first instance as a clinical phenomenon, and not a metaphysical problem” (Noyes, 166). This distinction brings the study of masochism closer to real psychology and allowed for masochism’s objective study.
The first woman to study masochism and publish on it was Helene Deutsch. “She argued that since Freud had shown masochism to be characteristically passive, and since women were biologically passive, women are biologically predisposed to masochism” (Noyes, 168). Her view was understandably controversial and was particularly despised by feminists. Freud’s view that women are passive, which is the foundation for her reasoning, has also been questioned.
Another woman who studied masochism found a different view. Horney viewed masochism as an individual reaction rather than as an overarching one. “Horney sees masochism as a much more makeshift and contingent response of the individual to a given sociocultural environment” (Noyes, 179). This highlights how different theories have developed as well as the controversy that still surrounds what masochism is and what it is caused by.

Masochism as it is represented today:
Masochism is defined as “1: a sexual perversion characterized by pleasure in being subjected to pain or humiliation especially by a love object [and] 2: pleasure in being abused or dominated: a taste for suffering” (Merriam Webster). In this way masochism could be construed as either sexual or independent of sex. However in society the first definition with its sexual connotations is commonly assumed.
In society masochism is frequently not understood, many people fail to realize that people can carry a desire for pain or view pain as a type of pleasure. In fact the DSM-IV still categories masochism as a disorder. According to another source, “There are different theories related to sexual masochism, many stemming from the psychoanalytic camp. They suggest that childhood trauma (e.g., sexual abuse) or significant childhood experiences can manifest itself in exhibitionistic behavior”(allpsych) and that symptoms of this unfortunate disorder are “characterized by either intense sexually arousing fantasies, urges, or behaviors in which the individual is humiliated, beaten, bound, or made to suffer in some way”. This demonstrates the mainstream attitude towards people who are masochists.
Since society is critical and misunderstanding of masochists they are unlikely to openly admit their desires. In addition to the critique of sexual masochists by society “cutters” are also ridiculed. They are viewed as a whole as emo kids who perform self-destructive stunts for attention. However while “cutters” fit the second definition of masochism they are rarely called such because of the overwhelming idea that masochism is inherently sexual.
There are no readily available positive images of sexual masochists in mainstream society. Therefore sexual masochists often become part of subcultures where they are understood differently. In subculture people frequently accept that masochism in not inherently a psychological disorder and therefore provide a more welcoming atmosphere.
Interestingly though while “masochists” are treated with distain people who simply like to be bitten or scratched are common and acceptable in main stream society. While these people are technically masochists society fails to categorize them as such. Apparently there is a defining line in society between how much pain is incidental and how much is “sick”. When one looks for examples of incidental masochism or mild masochism there are more present, such as in sex scenes on TV and in movies. These preferences for being bitten or scratched fail to carry the masochist stigma, which demonstrates that there is a stigma associated with masochism once it is anything but exceptionally mild. These people still derive sexual pleasure from the pain of biting and scratching but they are not exiled for it.

Personally:
I completely reject the idea that masochism is an inherent disorder. I have never been sexually abused and I am not exhibitionist. In fact, the idea that I am being watched makes me self-conscious instead of aroused. Masochism can be a problem if it is not practiced safely in either of its sexual or asexual forms. However this is not a problem that dirties all masochism because masochism can be practiced safely in many ways. Society reflects only masochism as a taboo and fails to examine it independent of that.
I think Freud’s point about context is important. Simply because someone is a masochist does not mean that they enjoy all pain. I don’t enjoy car crashes or stubbed toes but the right kind of pain in the right context can be relaxing or arousing. It requires a degree of trust to let someone hurt you physically but many people are open to being hurt emotionally in relationships where they would dream on subjecting themselves to slight physical pain. The point is that yes, masochism has the danger of unwanted pain but so do all relationships and things. It is a risk that is accepted (although this doesn’t mean you shouldn’t practice precautions – there is a different between accepting risks and creating them).
The reason that people are willing to accept the potential risk that someone will actually hurt them is balanced against the pleasure they derived from the intended pain. Masochism can release endorphins which in create a pleasurable sensation for the person being “hurt”. I find that I cannot jump straight into pain but enjoy slowly being warmed up for it and then I enjoy it quite passionately. However with some types of pain I am able to directly appreciate the pain, without being “warmed up”, one of these is biting.
I’m not entirely sure what caused me to be a masochist or derive pleasure in pain but I have a feeling that it is more likely chemical and not psychological. I would guess that more endorphins are released in certain people in certain context than others – so people respond differently to sensual pain. Since I was not sexually abused and am unaware of any childhood trauma I doubt the diagnosis of sexual masochism as a disorder. I fail to see the danger that masochism poses to a masochist either psychologically or physically, provided it is practice with care. To me the idea that I should abstain from a type of pleasure because it is not understood by society is nonsensical.

Biliograpghy:
"Masochism." Merriam Webster. N.p., n.d. Web. 3 June 2010. .

"Masochism in Paraphilias and Sexual Disorders at ALLPSYCH Online." Psychology Classroom at AllPsych Online. N.p., n.d. Web. 3 June 2010. .

Noyes, John K.. The Mastery of Submission: Inventions of Masochism (Cornell Studies in the History of Psychiatry). Ithaca: Cornell University Press, 1997.

Schlemowitz, Joel. "Leopold von Sacher-Masoch." Joel Schlemowitz. N.p., n.d. Web. 2 June 2010. .

Thursday, May 27, 2010

Thursday, May 20, 2010

Tony DeBlase and the Leather Pride Flag

Throughout his life Tony DeBlase contributed to the leather community in a variety of ways. He was born April 3rd, 1942 in South Bend, Indiana(LAM Oral) and would come to use two aliases of Fledermaus and Richard W. Krousher(LAM Tribute). He used aliases for his fictional work which focused on leather and S and M. Of his many awards “the one DeBlase said he treasured most was the coveted Caligula Award from Chicago Hellfire Club for service to Inferno”(LAM Tribute). DeBlase joined the Chicago Hellfire Club shortly after its inception. “What's more, DeBlase was a major factor in the development of Inferno and in exporting the lessons learned and formulas tested there to other, less experienced SM clubs”(LAM Tribute).

In 1969 DeBlase who was a gay man got married and moved to Chicago. He describes the situation, “I got married in [19]69. The woman had been my secretary while I was museum directory. She had polio as a child and was confined to a wheel chair. Told her I was gay. I loved her very much. We had several good years together”(LAM Oral). He further elaborates,

The most important thing was that I was writing my dissertation. I had been on an expedition or Iran with the Field Museum. All of my collections that I needed to work on dissertation were in the Field Museum. …And while I had seven job offers in '68, excuse me, '69, in 1970 there were no jobs to be had anywhere. So we went back to Oklahoma, where I did some teaching assistant and the college, while I finished up my dissertation”.

In 1982 he published a collection under his alias Fledermaus which according to LA&M have become “imitated classics of the genre”. He chose the name because of his work outside of leather and S&M. “Its a German word for bat. … Since I was doing my dissertation on bats, and the story was set in a German castle, it seemed like an appropriate name”(LAM Oral).

As time went on DeBlase continued to gain prominence in the community and was credited with his creation of publishing SM techniques. As described

“As the founding publisher of DungeonMaster magazine-49 issues from 1979 to 1994-DeBlase practically invented the field of SM technique publishing, preceded only by Larry Townsend's Leatherman's Handbook. Many of the articles from those DungeonMaster magazines, a major portion of them written by DeBlase himself, remain the best, most extensive or even the only published sources of the information they explain so carefully”(LAM Tribute).

By 1986 DeBlase had divorced and he and his male partner moved to San Francisco and bought the Drummer family of magazines(LAM Tribute). This move furthers his influence in the leather community and his career. And in 1987 he was awarded NLA's Man of the Year award in 1987(LAM Tribute).

In 1989 in Chicago he present a “proposed” idea for a pride flag for the leather community, which was widely adopted and which will be discussed in further detail later. He presented the flag at International Mr. Leather.

In 1990 he was presented with the Pantheon of Leather's Business Person of the Year Award. In 1993, as part of a project for the Leather Archives & Museum, he created the Leather History Time Line, which can still be found online today. Then in 1994 he received the Pantheon of Leather's Lifetime Achievement award and then the Forebear Award in 1997(LAM Tribute).

Another love of DeBlase’s, beyond the scope in which he is normally recognized, was cooking. He was “A renowned gourmet cook, DeBlase was active in various cooking and dining organizations, and felt it was a great honor in 1999 to be permitted to cook for the International Association of Culinary Professionals at his home in Oregon”(LAM Tribute). This is interesting to present as it is easy to forget that the leather and S&M that DeBlase so firmly supported were only one aspect of his personality. And that he can be remembered and defined in way different ways.

DeBlase passed away on July 21, 2000 as a result of liver failure and extended illness(LAM Tribute). A moving quote about his death and more importantly his life is as follows,

“DeBlase the teacher and leather leader, the editor and editorialist, the writer and publisher; Fledermaus the story teller; and Dr. DeBlase the brilliant gourmet cook, scientist and textbook writer will all be long and fondly remembered, but it is Tony, the loyal friend and constant counselor of so many leathermen and leatherwomen who will be most profoundly missed by the hundreds or thousands who had come to depend on him for advice, instruction and comfort”

This quote demonstrates how he will be remember by the community and summarizes his many accomplishments. He lived a life that was full of participation and encouragement.

Tony DeBlase’s most memorable and unique contribution to the leather community was in the form of a leather pride flag. Which he presented on 1989, May 28 to the public for the first time(LAM Timeline). “The original prototype flag is now on display at the Leather Archives and Museum in Chicago”(Indopedia). While the Flag remains under copyright for commercial use, DeBlase openly invited people to put their own spin on the flag. we welcome members of the Leather/SM community to use the design for flags, banners, pins, T-shirts, printed material, etc. to be distributed free or sold at cost, or to be used for fund raising for not-for - profit causes that benefit leather men and women. No permission is required for these uses”(LAM Pride). This is simiar to the way in which open source or shareware software works, where the creation is initially done by one person but everyone is capable of expanding and reinterpreting it. It is for these reasons the pride flag has come to be an inclusive symbol for the community. “The Leather Pride Flag is a symbol for the leather community, which encompasses those who are into leather, Levi’s, sado-masochism, bondage and domination, uniform, cowboys, rubber, and other fetishes”(CRWFlags). And as importantly “Although the flag is often common in the gay community, it is not a "gay-only" symbol and represents the entire leather community”(Indopedia). The openness of this banner keeps people from being excluded by the flag. Instead they have chosen to make many versions of it.

After the flag was introduced and accepted the first adaptations of it appeared in 1989. The first adaptation DeBlase saw was of a leather pride ornament. He described it as “clear glass balls to which someone had applied strips of cloth in the flags' colors around the diameter of the ornament, and added a tiny red heart on one side”(LAM Pride). Another of the first adaptations was of “a huge flag composed of appropriately colored bandannas filling the window of a leather shop in San Francisco during Leather Pride week”(LAM Pride).

In 1990 there was an Australian version of the flag. This flag featured the original design of the leather pride flag superimposed with a constellation. Laurie Lane of Leatherworld in Melbourne Australia applied the southern cross constellation from the Australian flag to the Leather Pride flag to create a uniquely Australian version. And in 1991 the Melbourne Leathermen became the first organization to incorporate the leather pride flag design elements into their club colors”(LAM Pride). And in 1991 the International Mr. Leather sash was composed of the flag. Another 1991 version of the flag was a uniquely Toronto version. This version featured “huge Leather Pride Flag with a row of red maple leaves running through the white stripe”(LAM Pride). Later, on June 6th, 1995 Craig Byrnes came up with a design for the “International Bear Brotherhood Flag” based on Tony DeBlase’s leather pride flag. This design featured “seven fur-colored stripes and a paw-print in the upper left”(LAM Timeline). These versions of the flag demonstrate that while it is a symbol of leather unity it can also be used to express uniqueness within the community. Each of these designs is still recognizable for their likeness to the original but they have been modified to create an individual perspective. In this way an individual or individual group can celebrate both their distinctiveness and their solidarity with the leather community.

The flag was originally created by DeBlase because wanted a symbol for the community. He did not want to distract from the flag itself by trying to draw out the process of creating it. Instead he created that he thought was a prototype and revealed it. The flag was initially surrounded by mild controversy because of how he went about creating and unveiling it. DeBlase explained his process as such,

For the 20th anniversary of Stonewall I felt that the time was right for the Leather men and women who have been participating in these same parades and events more and more visibly in recent years, to have a similar simple, elegant banner that would serve as a symbol of their own identity and interests. I decided that calling a committee meeting to design it would be counterproductive, so I just did it. I consulted with most of the staff here at Drummer and some of their suggestions were incorporated. I do not expect this design to be the final form, but the basis from which a widely accepted banner will evolve”(LAM Pride).

By creating the flag independently he sought to avoid the controversy that he accidentally sparked. He designed the flag himself in order for it to be accepted by the community as a whole however initially some groups did not take kindly to the flag because they felt that it should have been created by consensus rather than revealed by an individual. DeBlase explains the reaction and his reasoning as “Initial reaction to the Leather Pride flag was mixed. Some, particularly on the east coast, reacted positively to the concept, but were quite concerned, some even offended, that I had not involved the community in helping to create the design. I emphatically did not want to have a design competition, in which each and every losing entry, and all of his/her friends, would oppose the winning entry. Nor did I want to have a design committee”(LAM Pride). Eventually however the design was accepted by the community as a whole as dissenters slowly stopped vocalizing their feelings and time passed.

While the Flag has become a prominent symbol DeBlase has never explained the symbolism behind the design. DeBlase states “I remain glad that I never have explained my reasons for the design elements. As I said in my original presentation "I will leave it to the viewer to interpret the colors and symbols”(LAM Pride). This has forced viewers to interpret the symbolism and theme for themselves which allows the flag to hold specific meaning for each individual. Throughout his life Tony DeBlase has made many contributions to the community but the one is most remembered for is undoubtedly the leather pride flag, which today is a symbol of solidarity within the community. Its alternate versions have allowed different groups to reinterpret the flag in their own way which allows them to express their distinctiveness while still uniting with the community as a whole.

Works Cited:

http://www.leatherarchives.org/collections/oral/tony.htm - LAM Oral

http://www.leatherarchives.org/exhibits/deblase/tony.htm - LAM Tribute

http://www.leatherarchives.org/exhibits/deblase/pride.htm - LAM Pride

http://www.leatherarchives.org/exhibits/deblase/timeline2.htm#1989 – LAM Timeline

http://www.indopedia.org/Leather_Pride_Flag.html - Indopedia

http://www.crwflags.com/fotw/flags/qq-lpf.html - CRWFlags

Thursday, May 13, 2010

History of Leathermen

“The heterosexual, lesbian, and more recent “queer” and faerie leather communities descend from the gay male leather traditions…It isn’t that there haven’t been other influences, but that there has been one dominant model, one basic reality against which the rest are measured(Bean, 191)”

Leathermen, as a general term, refers to a community which was established in the in the 1940’s and 1950’s. This community has undergone significant change since its original inception as a hangover from the military. It began to expand in the 1960’s and 1970’s until with the renewal of the South of Market Area and AIDs the community declined. The leather that exists today is the result of the reunification and comradery of the fractured community that was hit by AIDs. Since the capital of leathermen has been San Francisco and that experience is both best documented and parallel to the experiences of leathermen elsewhere this paper will focus on the South of Market Area as an example for the leather experience throughout history.

While this paper’s focus is not on the definition of leathermen it would be amiss to offer no distinction of the term. Therefore for the purposes of this paper leather shall be defined as “a distinctive subgroup of male homosexuals that began to coalesce into coherent communities by the 1940s. . . The leather subculture is organized around sexual activities and erotic semiotics that distinguish it from the larger and more generalized gay male population. “Leather” serves as a marker for a kind of community, a collection of sexual practices, and a set of values and attitudes (Plummer, 183)”. This focuses less on the beliefs of Leather and more on the unity and history of the community.

The origins of Leather:

When servicemen abroad began returning to the United States they brought with them military customs and attitudes. While many men were comfortable returning to the traditional lifestyles others opted to create a unique environment this environment became leather. Many servicemen became used to “The strict orderliness of rank and respect, the intimate comraderie of men sharing life-threatening stress, the comfortable grasp of who was who discerned by what a man wore, and the explosive man-to-man sexuality that evolved in the absence of women who were safe o hump with(Bean, 192)”. These artifacts would not have developed except in the rigorous discipline of the military. The size and structure of the military allowed such artifacts to become customary and familiar. The structure that exists in the leather community is a direct result of the structures and discipline that have been passed down, originating from servicemen. As summarized by RED, “many returning servicemen brought with them to civilian life customs based on military social traditions (Ridinger, 3)”.

Whilst servicemen remain the primary influence on Leather the motorcycle clubs that were becoming popular added to this community. The aesthetics of the Leather image draw heavily from a motorcycle culture and its black leather. “contributing to the expansion of the leather community was the swift rise in popularity of the motorcycle and the proliferation of riding clubs for owners and enthusiasts (Ridinger, 3-4)”. Another author believes that this was an indirect result of servicemen returning home. He believes men translated their motorcycle use during the war to motorcycle clubs in the U.S. “Being assigned a motorcycle meant, if nothing else, a degree of autonomy that the jeep-driving soldiers didn’t know. . . And, if you were on a motorcycle, you had to wear leather protective clothing, whether at war or at home(Bean, 193)”. The Leather lifestyle was expressed by a certain aesthetic appearance. In addition to motorcycle leathers some Leathermen would wear their military uniforms out. As described by Green “Sometimes they wore (despite risky legal situations) their rank-defining uniforms, or depended on meeting up with other guys who knew what insignia they had earned a right to wear (Bean, 192)”. These two different dress codes create an interesting dynamic between the rigor expressed by military uniform and the leather commonly associated with rebellious tendencies. This parallels the Leather community in that while the community held strict internal rules the Leather community was a rebellion of mainstream society and the typical stereotype of effeminate gay men.

As men developed the Leather lifestyle they sought a forum of social intercourse and interaction. As a result Leather bars and clubs began to spring up in increasing frequency. This process is described by Schmidt, “The late 1940s and early 1950s were a formative period, when such me began to congregate with increasing frequency and in greater numbers through private parties and informal networks. These networks achieved a new level of institutional coherence by the mid-1950s with the emergence of leather bars and gay motorcycle clubs (Schmidt, 67)”. These bars gave Leathermen a forum in which to express themselves and their sexuality. Many of these bars sprang up in the San Francisco district of South of Market. The area was originally filled with “wholesalers, warehouses, and service businesses … a working class residential population traditionally occupied the smaller side streets and alleys. . . Its convenient proximity to the major downtown area its comparatively low land values, and its reputation as a slum made South of Market the logical candidate for a massive influx of real estate capital (Levine, 106)”. This prime position would later become problematic as city official tried to “revive” the area. This pushed out the populations which were already residing there. However during the 1950s South of Market remained a darker side of the city. The day oriented nature of the business there and the off beat residents allowed the Leather community to thrive as they received relative privacy. Since there were few destinations for the average mainstream person they had no reason to visit the area at night when the Leather bars were in swing. This environment allowed Leathermen to claim a physical space along with an identity.

The expansion of Leather:

“From the 1960s through the 1980s, the change was one of increasing organization and cohesion, lessening secrecy, and improving networks over ever-increasing geography (Bean, 194)”. Essentially the 1960s and 1970s were the expansion of the leather community through existing networks. This was an era more of cohesion and cementation than it was of evolving concepts. Although the nuances of Leather continued to evolve mildly the community’s ideals and values had already been created. Throughout this era refinements to Leather took place such as the origination of leather chaps,

The Leathermaker claims to have been the originator of biker chaps, which were first made with a full length zipper on the inside of the leg. I can vouch for the fact that he DID make the first chaps with a zipper on the outside of the leg, because I ordered them from him in 1962, and I still have them. I remember that from those first orders and requests for new items, he began to design and make codpiece pants, hoods, masks and many other leather fetish items (Cuirmale)”.

This demonstrates the overall attitude of the time, in which, individuals would create aspects of the aesthetic that then spread and were adopted by the community. This occurred in the same way in which ideas would likely have been refined as individuals tested them out and experimented with this new community.

More Leather bars continued to open such as the Tool Box in 1962. This bar had vibrant but short popularity as it was pushed out of the spotlight in 1965 by Detour and On the Levee and then Febe’s in 1966(Schmidt)”.As leather bars became more prominent so did Leather in the eyes of mainstream America. In 1964 Life Magazine did a story on Leathermen and emphasized the Tool Box with a double page photographic spread of the interior (Schmidt). “The 14 page article "Homosexuality in America" also brought the leather subculture to the attention of isolated and closeted gays of which one reported he finally got to understand that the "S" or "M" badges people wore, didn't stand for "single" or "married"... (Cuirmale)”. This article brought attention to the community in both positive and negative ways as the article was severely biased it showed that the stereotype often presumed of gay men to be feminine was untrue or at least not universally true. This exposure also allowed the Leather community to further expand. by the beginning of the 1970s the leather community had in place a framework of social forms used completely or in part in all cities of the United States where a coherent leather-identified gay community had emerged (red)”.

While Leather continued to expand across the United States its home in San Francisco began to be threatened. “redevelopment of the South of Market area had suddenly escalated in the late 1970s after Diane Feinstein’s friendly stance toward development was reflected in an unprecedented building boom and in a marked increase in the pace of ‘urban renewal’ South of Market. Leather bars in old Victorian houses were not suited to compete (Schmidt, 71)”.This occurred in part due o the prime location of the neighborhood and its reputation as a slum (as mentioned earlier). The land was simply undervalued on the market because of its lack of current standing socially. The redevelopment forced bars that had been protected by the slum reputation from standard market values to compete, which they were not able to due. This forced many of them to close.

“Long before AIDs was a factor, conversion to straighter, more respectable, more expensive bars and restaurants was well underway South of Market. AIDs enhanced changes already in progress (Levine, 121)”. Interesting though as the area changed it did not become safer in fact, as the author elaborates, “It is deeply ironic that contrary to stereotyped expectations, the displacement of those “threatening men in black motorcycle outfits” by a predominantly heterosexual street population has made the neighborhood considerably less safe than it used to be (Levine, 122)”. As the more respectable people migrated to the area the brought with them prejudices that caused the environment to be less open than it previously was. This is contradictory to what one might expect because the prejudice against those leather wearing men came from a lack of understanding that allowed mainstream society to propagate a negative image that was based on appearance rather than reality.

A community in crisis:

The AIDs crisis hit the gay and Leather communities in the 1980s and took with it many community leaders. This undermined the underlying social structure of Leather as well as the remaining bars and bathhouses that remained in South of Market. These factors caused a change in the community structure that has altered what Leather looks like as the community was forced to restructure and adapt in the face of crisis.

“An acrimonious campaign in the early 1980s to close San Francisco’s bathhouses and gay sex clubs disproportionately affected the South of Market area, as most of the local sex establishments were closed either by owner initiative or city action between 1983 and 1987… The combination of abrupt bathhouse closures and pre-existing damage from urban renewal were significant factors in the startling collapse of gay South of Market in the mid-1980s (Schmidt, 71)”.

Due to the AIDs panic city officials were trying to do anything possible to stop the spread of AIDs which was at the time not well understood. Since science had not caught up to figuring out the virus many speculations were made and without the refutation of hard science people’s biases were allowed to cloud what was intended to be objective policy. As explained by Blue, “Leathermen were already disdained … Thus they became easy symbols for danger. Moreover, since leathermen were often characterized as more “sexual” than others, it was easy to consider them more prone to exposure to a disease that appeared to be sexually transmitted (Levine, 112)”. In this way vague understanding of the virus were extrapolated into wider beliefs and judgments.

In addition to closing venues education was also a focus of the anti-AIDs campaign. “In general, the safe-sex campaigns were a sex-positive response to the illness [but] …Fisting was a glaring exception. Fisting was still listed as high-risk behavior in many safer-sex guidelines in the late 1980s, long after it had been eliminated as a serious candidate for AIDs transmission (Levine, 113)”. While the sex-positive focus of these campaigns probably had a positive impact the example of fisting demonstrates how these objective guides were not really object. Instead they integrated biases and factual material which makes it extremely difficult for readers to know where the truth really lies. Never the less, this sex-positive approach was likely a better idea than closing bathhouses because it informed people rather than pushing the practices underground. Simply because men couldn’t have sex in public bathhouses did not prevent them from doing it in private.

Despite the efforts of city officials and sex educators the results of AIDs was still devastating and many died as a result of the disease. “The loss of so many individuals created a crisis of leadership. Many positions of power and responsibility were suddenly vacated because of the wave of AIDs morality (Levine, 123)”. This came to change the structures of the Leather community.

The aftermath of the AIDs crisis:

The AIDs crisis caused a flux in the community as old structures had fallen with the sheer number of deaths. This forced the community to develop a new model for interaction and adapt to the changing times. These adaptations have come to create the community that exists today as well the division between “new’ and “old” leather as groups tried to retain old structures with minor modifications or completely redevelop. In either cases leather was altered by the crisis of AIDs, “Formerly the transmission of cultural norms and expectations was largely accomplished through interpersonal contact such as mentoring, friendship, and sexual liaisons. Now many of the experienced men who would have welcomed and educated newcomers are gone. Consequently, men currently coming into leather often get much of their education from books and classes (Levine, 124)”. There simply are not enough mentors left to accommodate the influx of people into leather and so even people who wish to practice “old” leather often learn in a way different and less personal than is traditional.

As for “new” leather it is to say the least controversial and relatively diverse and undefined. This is partially due to its nature of rebellion as individuals attempt to redefine leather into “new” leather in different ways reflective of their own personalities.

“For some men, the introduction of their own favored nonleather material (rubber, spandex, etc.) is all the rebellion it takes to feel they have become representatives of New Leather. Other say switching roles Top to /Bottom, or wearing neo-primitive tattoos, or sporting body jewelry does the trick. Still others say the hallmark of New Leather is that it accommodates long-haired boys, women, lesbians, heterosexuals, or transvestites, or all of the above (Bean, 194)”.

Because each definition represented of “new” leather is so unique it becomes difficult to define it as a category except in terms of its rebellion to “old” leather. While these two categories other leather differ in many regards they are both forms of the same sexuality that emerged I the 1950s.

Through time leather has been created by servicemen returning from war and motorcycle clubs. It has spread and refined itself before being faced with redevelopment of its territorial space and the AIDs virus. In the face of these challenges and undermining of its original institutional framework it has coped in two forms, defined by their reactions to the challenges. “Old” leather has mainly retained its characteristics but has attempted to deal with the loss of life by widening its teaching methods. Although most would mourn the loss of the older interpersonal structure. While “new” leather specifically defies itself in the context of rebellion to “old” leather. The leather community has been forced to change and evolve as it has faced challenges through time. It has refined itself since the original heydays of servicemen who longed for wartime artifices.


Bibliography:

Bean, Joseph W.. Leathersex: A Guide for the Curious Outsider and the Serious Player. San Francisco: Daedalus Publishing Company, 1994.

Cuirmale. "Gay Leather History; Leather as a Gay Fetish." Gay Leather Fetish History by Cuirmale, the Netherlands. N.p., n.d. Web. 8 May 2010. .

Levine, Mp. In Changing Times - Gay Men and Lesbians Encounter HIV/AIDS (Paper). Chicago: University Of Chicago Press, 1997. Print.

Plummer, Ken. Sexualities:Crit Concepts V3. New York: Routledge, 2004.

Ridinger, Robert B. Marks. "Things Visible and Invisible -- The Leather Archives and Museum." Journal of Homosexuality 43.1 (2002): 3-5. Informaworld.

Schmidt, Robert. Archaeologies of Sexuality. 1 ed. New York: Routledge, 2000.